Bibliorgaphy

Atalli, Jaques. Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press, 1977.

Purves, Ted, ed. What We Want Is Free: Generosity and Exchange in Recent Art. Albany: State University of New York Press. 2005.

Walker, James Faure. Painting the Digital River. Upper Saddle River, NJ: Prentice Hall, 2006.

Into Performance: Japanese Women Artists in New York. New Brunswick, NJ: Rutgers University Press, 2005.

Lewis, Helena. The Politics of Surrealism. New York: Paragon House, 1988.

Drobnick, Jim, ed. Aural Cultures. Banff: XYZ Books.

Kahn, Douglas, and Gregory Whitehead, eds. The Wireless Imagination: Sound, Radio, and the Avant-Garde. Cambridge: MIT Press, 1992.

Kaye, Nick. Multimedia: Video – Installation – Performance. London, Routledge, 2007.

Popper, Frank. From Technological to Virtual Art. Cambridge, MIT Press, 2007.

Clayton, Martin, Trevor Herbert, Richard Middleton, eds. The Cultural Study of Music: A Critical Introduction. London, Routledge, 2003.

Rieser, Martin, Andrea Zapp, eds. New Screen Media: Cinema/Art/Narrative. London, BFI Publishing, 2002

Huizinga, Johan, Homo Ludens: A Study of the Play Element In Culture: Boston, Beacon Press, 1950.

Elkind, David, The Power of Play: Da Capo Press, 2007.

Lippard, Lucy R., ed. Dadas on Art. Englewood Cliffs NJ: Prentice-Hall, 1971.

Matheson, Neil, ed. The Sources of Surrealism. Hampshire, UK: Lund Humphries, 2006.

Kester, Grant H. Conversation Pieces: Community and Communication In Modern Art. Berkeley: University of California Press, 2004.

Russ, Sandra W., Affect and Creativity: The Role of Affect and Play in the Creative Process. Hillsdale, NJ: Lawrence Erlbaum Associates, 1993.

Gardner, Howard. Art, Mind and Brain. New York, Basic Books, 1982.