christoph /courses /210 /critique
Christoph's Critique
Antoine Abou Jaoude
- I have no recollection of seeing your project, sorry.
Karl Baumann
- Your video of events that unfolded in 1991 transposed with images of you clothed/naked is surprising that it makes me sort of jump, though I was confused with how the interview is conducted.
Lyes Belhocine
- Your installation was unplugged and thus all I saw was the pad on the floor, your arduino with wires and your "DO NOT TOUCH" sign.
Drew Detweiler
- I am infatuated with the Brazillian music. I apologize if my infatuation makes me forget the social aspect of your project which is what you wanted to emphasize on.
Nikolaos Hanselmann
- I have no recollection of seeing your project, sorry.
Jessica Hayden
- The cabinets are just as beautiful as how I imagined them. I am in awe of the fragility of the items that it makes me not want to touch them but rather appreciate them for being there.
Shane Michaels
- I have no genuine comments to give you regarding your fan-based movies. I suppose inflection is everything. I see a white empty room with a projector.
Kathleen Kralowec
- The movies are okay; I questioned the location of the viewer in the mirror when the mask would "go through" the user and you'd see it in location of the mirror. I surmise that the viewer is therefore invisible. I did not inquire to find out why.
Nick Lally
- The project is fun. I don't mind the sound and I really really like how the colors of the clothing (or skin) would change the interface. I also appreciated the placement of the lamp with the space in the room in which you can hide.
(Chris)Topher Maraffi
- I have no recollection of seeing your project, sorry.
Kyle Mckinley
- My arms feel a little more toned while winding that contraption with the mouse. If I was born in 1883 instead of 1983, my first teenage job would totally be working at a Nickelodeon and be one of those winders. The idea is conceptually very cool. The video has certain parts to it that I believe would help if they were filmed again because there is often scenes where nothing is happening for multiple seconds and I didn't understand whether the video was in pause.
Christopher Molla
- I have no recollection of seeing your project, sorry.
Elizabeth Travelslight
- I love the contraption that can pass for a printer and the dark satin (?) sheets but you know that. The whole setup reminds me of an anachronism because it looks vintage and yet it is still running and very futuristic in the past.
DANMite,