kyle /bicilogues /press

•YOUR NAME AS YOU WOULD LIKE IT TO APPEAR IN PRESS MATERIALS

Kyle McKinley

•45 WORD DESCRIPTION OF YOUR WORK

Kyle McKinley's Pedalgogy is one work from the on-going series bicilogues, all of which use dialogue as metaphor for how personal and collective narratives are inscribed on space through the act of bicycling. Participants interact with video by reproducing the gestures of cycling.

•100 WORD DESCRIPTION

Kyle McKinley's Pedalgogy is one work from the on-going series bicilogues, all of which use dialogue as metaphor for how personal and collective narratives are inscribed on space through the act of bicycling. In this piece participants reproduce the gestures of cycling, cooperating with one another, and the piece itself, in order to activate the collected stories about bikes. Pedalgogy appears as part of an installation entitled building, which will be informed by a series of games, workshops and experiments which explore critical spatial practices and participatory software in collaboration with Nick Lally and selected participants.

•MEDIUM FOR WALL LABEL: Wood, bicycles, software. Dimensions variable.

press_image_smallest.jpg

hi-res version here

press_image_2_smallest.jpg

hi-res version here prints 4" by 6" at 300 dpi

•CAPTION FOR IMAGE:

Kyle McKinley bicilogues bicycles, software, spatial practice.

Kyle McKinley cares about friendships, public education, and bicycling. His practices involve extended collaborations with artist collectives and bicycle tool cooperatives, with an eye to intervening in the production of the spaces of late capitalism. Since coming to DANM this has increasingly included investigation of how our physical bodies interact with technologies to produce space and how our social bodies interact with technologies to produce meaning.


Thank-yous: Gratitude and recognition are due to: Ann Altstatt Kelly Brown Pou Dimitrijevich Jennifer González Madeline Lane-McDonald? Nick Lally Chip Lord Joshua Muir Jennifer Parker Sophia Strosberg The Santa Cruz Bike Church everyone who contributed time and ideas to building and all of students, staff and faculty who make up DANM. This presentation was made possible with funding from UCSC’s Porter College Graduate Arts Research Committee and Florence French Awards.


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