This area for those things I wish to keep in my own directory.
Project Group
Second Meeting
reading
9781551114705
978039315100
9781558492295
Robert Smithson, Spiral Jetty
american technological sublime
Amy Balkin
Cultivates seed that she finds in cracks in the sidewalk or in the cuffs of pants. Globalism relative to how these plants traverse the globe.
how the aesthetics of landscape play out in (conservation?)
from Botany of Desire, the new way plants convince us to propagate them, accepting all the abuse we can throw at them.
I want to work in the taxonomies angle...
does non-site connect to non-place
Write up presentation of this project for non-space. Some sort of text that would function both as a proposal and as a talk.
talk to margaretta
arts research grant due the 18th. For supporting the greenhouse project. What is the budget? What do we need? How could we use $2000 to get off the ground?
need a website
visit hunters point
timeline, schedule field trip
each person brings in a reading, 2 weeks after trip up.
Exploring Industrial Sites that are slowly being taken over by flora, cultivate and examine the plants that are taking over the site. Site is context, the materials both in and out of site. Non-site, not a representation.
Archival Aspect: The archivisation process is also a biological process.
Translation: Non-site, the translation of site, the process of investiogation is a process of translation. Looking at certain plant life that's growing on its own then we cultivate it which is an act of translation, then looking at that process semiotically.
do we set up at the site or do we harvest from the place. Mobile is very key. Being able to take this on the road to various sites.
weeds, where do they come from, this other landscape that is beyond or parallel to the intentions of humans. The thing we try to purge. What we consider landscape?
sets of proceedure
roadsidestand?
actuality
personal spin off
can we conect this idea to the greenhouse idea in a stronger way. Art energy could still be key, and the psychology of spinning,
we want a presence at zero1, it's a big ea conference and no alternative energy. This was almost to shame them, we could draw attention and start a dialog.
Project Group, third meeting
do we need to design the thing that it powers to make it the right kind of look for the opening night?
we can power smaller pieces along side the big splashy thing.
criteria for projects
Guidelines: The painting has to be based on Duchamp’s retinal paintings on one side aand the other side of the disk has to use text in the mode of Anemic Cinema.
who could do it, when should we get it out, give them a pallet?