ART 80V: Issues + Artists
Lecturer: Shelby Graham
Crimp, Douglas. “On the Museum's Ruins,” In On the Museum's Ruins. Cambridge, MA: MIT Press, 1993: 44-60.
Putnam, James. Art and Artifact: The Museum as Medium. Thames & Hudson, 2001.
O’Doherty, Brian. “The Gallery as a gesture.” In Thinking about Exhibitions. Routledge, 1996.
Liss, Andrea. “James Luna: Actions and Reactions.” Catalogue 1992.
González, Jennifer. “Curatorial Turns,” in Fred Wilson Objects and Installations 1979-2000. Baltimore, MD: Center for Art and Visual Culture of University of Maryland Baltimore County, 2001.
Corrin, Lisa. “Mining The Museum: Artists Look At Museums, Museums Look At Themselves” (Serpentine Gallery, London). Museum Studies An Anthology of Contexts Edited by: BETTINA MESSIAS CARBONELL, City University of New York, 2003.
Madoff, Steven Henry. “How Do You Get to the Biennale? Apply, Apply.” New York Times 2003: Arts
Lloyd, Ann Wilson. “If the Museum Itself is an Artwork, What About the Art Inside?” New York Times 25 January 2004: Art 29+.
Karp & Wilson. “Constructing the Spectacle of Culture in Museums,” In Thinking about Exhibitions. Routledge, 1996.
Hoban, Phoebe. “Masks Still in Place, but Firmly in the Mainstream.” New York Times 4 January 2004: Arts 34+. Guerrilla Girls.
Beyer, Andreas. “Between Academic and Exhibition Practice: The Case of Renaissance Studies,” In The Two Art Histories: The Museum and the University. Ed. Charles W. Haxthaussen. Dalton, MA: Studley Press, 2002. 25-29.
Sischy, Ingrid. “Will Feminism’s Fourth Wave Begin on the Runway?” New York Times Style. 25 Feb 2007.
Graeber, Laurel. “Taking Children to the Realm of Culture.” New York Times 12 October 2003: Arts 1+.
Museum Organization Chart
Moore, Summer. “The Work of Art.” Stanford Magazine January 2004.
Hicks, Emily. “The Artist as Citizen: Guillermo Gómez-Peña, Felipe Ehrenberg, David Avalos and Judy Baca.”
Tinari, Philip. “Made in China.” New York Times Style. February 2007.
Hanru, Hou. “Wherever They go, They Create a New World. Notes on Migration, Cultural Hybridity, and Contemporary Art.”
Cover Letter
20–21. Exhibition Proposal writing and Grant writing samples
22. Works Gallery, San Jose CA (non-profit Gallery info)
23. Sample exhibition proposal with budget
24–30. Press release/press packet/samples
31. Juried show format
32–33. Artist letters
34. Exhibition Timeline
35–36. Gallery Agreements/Contracts
37. Resume sample
38–40. Artist Statements
41. Exhibit survey
42. Glossary of Art Terms
43. Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.”