Digital Arts and New Media: MFA: Collaboration, Innovation, Social Impact

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Lisa Banks

DANM MFA 2014
Alum
Digital Art and New Media
MFA Class of 2014

Lisa Banks, a.k.a. BossLisa, is an emerging digital artistliving and working in the San Francisco Bay Area.Her wide-ranging experience has connected her with the realms of digital art production, curation, appraisal, teaching, publishing and design. With over 12 years experience in video production and a six year history in gallery operations, Banks' unique background situates her as an emerging force in her field. During her two years as a DANM graduate student, Banks' research and practice has been centered around the development of videos and prints in the Suspended Motion Series. A form of abstract portraiture that incorporates experimental 3D technology, the series extends a tradition of motion-study photography into the contemporary realm.

Banks has also collaborated on a variety of creative projects while at UCSC. She acted as co-creative director of the visual arts team for the UCSC Theater production Peer Gynt,and edited the feature length video of the production. Banks also developed a video series with fellow DANM cohort member Danielle Williamson entitled Exquisite Corpse in 2.5D that explores cinematic space and stereoscopic vision. As an extension of her professional practice, she co-founded a media development company with her wife, Cold Noble LLC.

MFA Thesis Abstract

I am fascinated by human psychology, specifically with the notion of the inevitable physical and psychological disconnection between self and other.  I see human behavior as being ultimately motivated by both a desire for closeness and a need for autonomy, and am most intrigued by the conflict that is generated by those two disparate psychological states.  My intention with the Suspended Motion Series is for viewers to consider their physical being in relation to others and ultimately seek connection through artistic expression.  My work pursues the belief that viewing other mediated bodies in motion initiates recognition of distance between self and other, which in turn promotes a desire for resolution through physical or psychological contact. 

 The Suspended Motion Series was developed through experimentation with RGBD toolkit, a 3D depth-mapping visualization system that calibrates a Kinect camera with a DSLR camera to capture simultaneous depth and motion footage. I use the system to record myself performing and generate 3D rendered frames that I compile into still images, effectively compressing the record of those actions on video into a single picture that seeks to capture the fleeting expression of human movement. The culmination of my research was presented at the Digital Arts and New Media (DANM) MFA exhibition in two forms, as a series of prints of the still image composites and as a video projection installation.  By executing the work in distinct mediums, I demonstrate the broad capacities of the imagery generated through my experimentation while emphasizing the conceptual intent of the series.

Education and Training: 
B.A., Studio Art, UC Santa Cruz
Selected Exhibitions: 

2014        

Beyond Structure, 111 Minna Gallery, San Francisco, California, May 2-25

Undercurrents DANM MFA, Digital Arts Research Center, UC Santa Cruz, April 26-May 4

Digifabulous, Regis Center for Art, University of Minnesota Twin Cities, March 25-April 5

2013     

Art That Moves, Museum of Art & History, Santa Cruz, CA, July 19

The Art of Peer Gynt, Eloise Pickard Smith Gallery, UCSC, Santa Cruz, April 7-21

Fashion + Digital Art, Museum of Art & History, Santa Cruz, February 15

 

Selected Publications: 

Baine, Wallace. “The Museum of Art & History Combines Digital Art and Outlandish Fashion in Splashy Friday Event,” Santa Cruz Sentinel, February 13, 2013.

Bernstein, S. Chinese Jade: The Immortal Stone. 2009: Malaysia, S. Bernstein & Co.

Herbert, Betsy. “Undercurents on display May 1-4 at UCSC's Digital Arts Research Center,” Santa Cruz Sentinel, April 17, 2014.

Muchnic, Susanne. Samella Lewis and the African American Experience. Louis Stern Fine Arts, West Hollywood, California, February 25 - April 21, 2012, page 9.

Karl Benjamin and the Evolution of Abstraction, 1950-1980.  Louis Stern Fine Arts, West Hollywood, California, September 24 - December 24, 2011, page 9.

Nordland, Gerald. Works from the Mid-Twentieth Century: James Jarvaise and the Hudson River Series.  Louis Stern Fine Arts, West Hollywood, California, September 22 – November 10, 2012, page 6.

Preciado, Selene, Mariana Botey, et al. MEX-LA "Mexican" Modernism(s) in Los Angeles, 1930-1985. Museum of Latin American Art, Long Beach, California, September 18, 2011 – January 29, 2012. Ostfildern: Hatje Cantz, 2011, page 11.

Selected Performances: 

Principal Editor

Peer Gynt theater production performance; feature-length film and trailer. UCSC, 2013

DANM MFA series; co-directed and produced series on graduate thesis art projects, edited four of eight videos. UC Santa Cruz, 2013

 

Selected Presentations: 

2014 UCSC Graduate Research Symposium participant, Media Presentation: Exquisite Corpse in 2.5D, co-presentor Danielle Williamson

 

Honors and Awards: 

2014    Florence French Grant

Porter College Graduate Arts Research Grant

2013    Porter College Associate Fellow

2012     UC Regent’s Master’s of Fine Arts Grant­­­

2003    UCSC faculty nomination for highest award in major, Irwin Grant

Office Location: 
Digital Arts Research Center, 104
Mailing Address: 

Cold Noble LLC

527 23rd Avenue #103

Oakland, CA 94606